Sea Grapes by DEREK WALCOTT

That sail which leans on light,

tired of islands,

a schooner beating up the Caribbean

for home, could be Odysseus,

home-bound on the Aegean;

that father and husband's

longing, under gnarled sour grapes, is

like the adulterer hearing Nausicaa's name

in every gull's outcry.

This brings nobody peace. The ancient war

between obsession and responsibility

will never finish and has been the same

for the sea-wanderer or the one on shore

now wriggling on his sandals to walk home,

since Troy sighed its last flame,

and the blind giant's boulder heaved the trough

from whose groundswell the great hexameters come

to the conclusions of exhausted surf.

The classics can console. But not enough.

Derek Walcott, "Sea Grapes" from Poems 1965-1980. Copyright © 1992 by Derek Walcott.

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RIP : Robin Williams

"We don't read and write poetry because it's cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for. " Thank you for inspiring the generations.  You will be missed Robin Williams.

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Quote: The Fault in our stars

The existence of broccoli does not change at all the taste of chocolate

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The Saddest Poem by Pablo Neruda

I can write the saddest poem of all tonight.

Write, for instance: "The night is full of stars,

and the stars, blue, shiver in the distance."

The night wind whirls in the sky and sings.

I can write the saddest poem of all tonight.

I loved her, and sometimes she loved me too.

On nights like this, I held her in my arms.

I kissed her so many times under the infinite sky.

She loved me, sometimes I loved her.

How could I not have loved her large, still eyes?

I can write the saddest poem of all tonight.

To think I don't have her. To feel that I've lost her.

To hear the immense night, more immense without her.

And the poem falls to the soul as dew to grass.

What does it matter that my love couldn't keep her.

The night is full of stars and she is not with me.

That's all. Far away, someone sings. Far away.

My soul is lost without her.

As if to bring her near, my eyes search for her.

My heart searches for her and she is not with me.

The same night that whitens the same trees.

We, we who were, we are the same no longer.

I no longer love her, true, but how much I loved her.

My voice searched the wind to touch her ear.

Someone else's. She will be someone else's. As she once

belonged to my kisses.

Her voice, her light body. Her infinite eyes.

I no longer love her, true, but perhaps I love her.

Love is so short and oblivion so long.

Because on nights like this I held her in my arms,

my soul is lost without her.

Although this may be the last pain she causes me,

and this may be the last poem I write for her.

~Pablo Neruda

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The Lines To An Old Sweetheart by Robert Burns

ONCE fondly lov’d, and still remember’d dear,
 Sweet early object of my youthful vows,
Accept this mark of friendship, warm, sincere,
 Friendship! ’tis all cold duty now allows.
And when you read the simple artless rhymes,
 One friendly sigh for him—he asks no more,
Who, distant, burns in flaming torrid climes,
 Or haply lies beneath th’ Atlantic roar.

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A Brook In The City by Robert Frost

The farmhouse lingers, though averse to square

With the new city street it has to wear

A number in. But what about the brook

That held the house as in an elbow-crook?

I ask as one who knew the brook, its strength

And impulse, having dipped a finger length

And made it leap my knuckle, having tossed

A flower to try its currents where they crossed.

The meadow grass could be cemented down

From growing under pavements of a town;

The apple trees be sent to hearth-stone flame.

Is water wood to serve a brook the same?

How else dispose of an immortal force

No longer needed? Staunch it at its source

With cinder loads dumped down? The brook was thrown

Deep in a sewer dungeon under stone

In fetid darkness still to live and run --

And all for nothing it had ever done

Except forget to go in fear perhaps.

No one would know except for ancient maps

That such a brook ran water. But I wonder

If from its being kept forever under,

The thoughts may not have risen that so keep

This new-built city from both work and sleep.

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My Friends, the dearest...love to all readers

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Morning Song: Sylvia Plath

Love set you going like a fat gold watch.
The midwife slapped your footsoles, and your bald cry
Took its place among the elements.

Our voices echo, magnifying your arrival. New statue.
In a drafty museum, your nakedness
Shadows our safety. We stand round blankly as walls.

I'm no more your mother
Than the cloud that distills a mirror to reflect its own slow
Effacement at the wind's hand.

All night your moth-breath
Flickers among the flat pink roses. I wake to listen:
A far sea moves in my ear.

One cry, and I stumble from bed, cow-heavy and floral
In my Victorian nightgown.
Your mouth opens clean as a cat's. The window square

Whitens and swallows its dull stars. And now you try
Your handful of notes;
The clear vowels rise like balloons.

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